Blanche lies about her past whenever the conversation is brought about. As Stanley shows his interest in what happened to Belle Reve, it his tent on the door step. This is one of the instances where Blanche continually lies until Stanley reveals the truth. This becomes a huge turning point in the story because no one has faith in Blanche anymore. Everyone begins to see who the real Blanche is, a crazy unstable women, who lives in the past. In other words, Blanche is trying to blame her past on the events that occurred with Belle Reve.
Instead of being honest with everyone, she looks for the easy way out and refuses to admit the truth. Stella lies on many different circumstances. Stanley asks information about the Flamingo Hotel. Stanleys testing her honesty. She tells him hat she does not know him and would also never be seen in a hotel like the Flamingo. However, she seems nervous when Stanley asked , which implies that she is lying.
A second class hotel which has the advantage of not interfering in the private social life of the personalities there. The Flamingo is used to all kinds of goings-on. But even the management of the Flamingo was impressed by Dame Blanche that they requested her to turn in her room-key — for permanently!. Stanley is trying to explain to. Stella, the real reason why Blanche showed up in New Orleans.
She gives into her desires and had many affairs at the Flamingo. The way she covers the harsh light of the bare bulb with a paper shade is an illusion. The lies she tells Mitch are an illusion. But even that happiness was an illusion, her husband only married her in an attempt to deal with his homosexuality.
Every thing leads to a symbolic death for Blanche. Living the truth someone who fulfills their desire by entertaining men at a seedy hotel is death for Blanche. Despite a flair for the dramatic, she knows what will happen.
Her inability to control her desire is the reason Blanche is to blame for her own demise. Life is full of unexpected challenges and difficulties.
Different approaches can be used to compare a play to its film adaptation. The strategies used vary depending on the similarities or differences portrayed by the film and the play. It can be a case of one of them being better than the other, the two seeming different but actually alike or seeming alike but actually different. Any of these themes may be used to compare different aspects of the two works such as character, plot, style and other forms of literature.
This essay uses a block comparison to compare the play A Streetcar Named Desire by Tennessee Williams with its movie adaptation. The theme is that the two works seem different but are actually alike.
One can agree to the statement that a movie based on a Tennessee Williams play is actually a Tennessee Williams film. It has indisputable evidence. The similarities brought out between the two works are evident in the fact that the playwright retains the spirit and plot of the original play even in the Streetcar case.
In fact, the dramatist worked on the screenplay himself making his personality dominate even in the film adaptation. The casting crew consisted of Marlon Brando who took the role of Stanley Kowalski. Most of the other original stage production members remained the same and repeated their roles in the movie. For instance, he emphasizes on the meaning of death and desire when Blanche is shown taking different streetcars in the neighborhood of Stanley and Stella. The viewer gets an imagination of how Blanche struggles to adjust.
Similarly, Blanche talks about streetcars in the play and this put the audience into imagining the situation. The setting hardly changes in the film.
The movie closely follows the directions of its stage equivalent. The words used in the movie are identical to those used in the play.
The eleven scenes of the play provide a perfect script for the screen as well, which makes the movie follow the plot of the play. The Kowalski apartment and its depressing narrowness are transferred to the screen. A remarkable trick is used, however. Kazan made the set smaller and as the story continues little flats are taken out to make the set get smaller and smaller. Consequently, the plot remains unchanged and is used in the film in its entirety.
In the literary techniques used, the film leaves the audience visualizing the play. Though the movie is black and white, Kazan uses different lighting variations to bring out the style used in the play. For instance, in the part where a young man enters, Blanche cannot tell who it is due to the light from outside. The room is pitching dark, making the young man look like a large black shadow. This emphasizes her interest in the boy when she eventually realizes that he is actually a very young man.
Suddenly, the boy steps into the light and Blanche stares at the visitor S. The movie does not show Blanche in the direct limelight so as to conceal her real looks and age from the audience.
Join Now Log in Home Literature Essays A Streetcar Named Desire A Streetcar Named Desire Essays Chekhov's Influence on the Work of Tennessee Williams Dawn Burgess A Streetcar Named Desire. The shape of American drama has been molded throughout the years by the advances of .
The most successful of these, in both commercial and critical terms, are The Glass Menagerie (), A Streetcar Named Desire (), Cat on a Hot Tin Roof (), and The Night of the Iguana (). All four received New York Drama Critics’ Circle awards, and both A Streetcar Named Desire and Cat on a Hot Tin Roof won Pulitzer prizes.
Streetcar Named Desire Essay: Themes in A Streetcar Named Desire - Themes in A Streetcar Named Desire A Streetcar Named Desire is a pessimistic work that is the “culmination of a view of life in which evil, or at least undiminished insensitivity, conquers throughout no . Home Essay Samples Streetcar Named Desire Different approaches can be used to compare a play to its film adaptation. The strategies used vary depending on .
In A Streetcar Named Desire, Tennessee Williams creates a complex web of conflicting emotions, which creates tension between characters. Williams presented many emotional conflicts with his character Stanley and the other characters in the play. In A Streetcar Named Desire, by Tennessee Williams. Blanche is known as a pathological liar who lives in the past and gives into desire. Based on her inability to control her desires, Blanche is to blame. A Streetcar Named Desire by Tennessee Williams describes Blanche Dubois as a neurotic central character who lives in a fantasy world of old south chivalry but cannot control her desires.