The eleven scenes of the play provide a perfect script for the screen as well, which makes the movie follow the plot of the play. The Kowalski apartment and its depressing narrowness are transferred to the screen. A remarkable trick is used, however. Kazan made the set smaller and as the story continues little flats are taken out to make the set get smaller and smaller. Consequently, the plot remains unchanged and is used in the film in its entirety. In the literary techniques used, the film leaves the audience visualizing the play.
Though the movie is black and white, Kazan uses different lighting variations to bring out the style used in the play. For instance, in the part where a young man enters, Blanche cannot tell who it is due to the light from outside. The room is pitching dark, making the young man look like a large black shadow. This emphasizes her interest in the boy when she eventually realizes that he is actually a very young man.
Suddenly, the boy steps into the light and Blanche stares at the visitor S. The movie does not show Blanche in the direct limelight so as to conceal her real looks and age from the audience. Similarly, it is difficult to imagine how she looks in the play as enough details are not provided about her.
Both works are in many ways similar. However, several aspects can be noticed to create a general difference between the two. For example, the movie brings out places that are described remotely in the play. The pier of a dance is a place not mentioned in the play.
Here, Blanche narrates the death of her husband to Mitch. He actually committed suicide at a dance casino in the play. However, location changes have minor interest since they do not bring out key parts of the play.
There is a change in the cast where Jessica Tandy is replaced by Vivien Leigh. The success of Leigh in the movie is not different from that of Tandy on stage though, but her stardom is much bigger since movies reach out to a larger audience than plays. Back then, the view of homosexuality was controversial and policies have changed since then. For this reason, Kazan had to be careful about handling explicit sections that addressed sexual matter and violence.
In this light, the original play depicts Blanche telling Mitch the suicide of Allan Grey after a night out. She recalls finding him with another man in bed. In the movie, the words by Blanche are changed but the meaning is left essentially intact.
Kazan used a different setting for this scene which left both him and Williams contented with the solution.
In conclusion, the play A Streetcar Named Desire is among the most staged plays in the last century. It influenced modern drama and film industry a great deal and marked the start of a successful career for its author as well as that of Marlon Brando. He symbolises her flaw through two symbols: Furthermore, Tennessee Williams successfully uses aspects of staging to add to our admiration of Blanche and our understanding of her flaws.
The music reminds her of the night when her young handsome husband committed suicide. This dramatic irony is reached as the other characters do not hear it but Blanche and the audience do. Blanche therefore gains admiration as she has to cope with and has been coping with this painful event from her past which has filled her with grief.
A character who get close to Blanche is Mitch another strong masculine character. We admire her character as she tells the truth about an event in which she was raped by Stanley but her sister does not believe her and sends her away.
We know she is telling the truth so we admire her for trying to stand up for her argument and for once she has overcome her flaw and is facing reality. This creates admiration for Blanche. Williams firstly effectively shows this through his use of characterisation creating a contrast which leads to conflict thus bringing out sympathy and admiration. Williams makes awareness of the flaw and creates admiration of the character through his use of characterisation, contrast, conflict, key scenes.
Firstly, the characterisation of Blanche DuBois successfully illustrates her fanatical flaw early in the play.
Sympathy for Blanche is also achieved when Stanley verbally bullies Blanche and tries to threaten her with what he knows about her promiscuous past: Broad General Education 2. Historical Background to Play.
A Streetcar Named Desire Homework Help Questions. In A Streetcar Named Desire, who is the real Blanche: the innocent and charming lady or the The character of Blanche duBois in A Streetcar.
A Streetcar Named Desire literature essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of A Streetcar Named Desire.
Streetcar Named Desire Essay: Themes in A Streetcar Named Desire - Themes in A Streetcar Named Desire A Streetcar Named Desire is a pessimistic work that is the “culmination of a view of life in which evil, or at least undiminished insensitivity, conquers throughout no . Keywords: symbols in a streetcar named desire, a streetcar named desire symbols. Tennessee Williams' play A Street Car Name Desire is a domestic drama. There is a film adaptation of play which released in by Elia Kazan.
Home Essay Samples Streetcar Named Desire Different approaches can be used to compare a play to its film adaptation. The strategies used vary depending on . In A Streetcar Named Desire, Tennessee Williams creates a complex web of conflicting emotions, which creates tension between characters. Williams presented many emotional conflicts with his character Stanley and the other characters in the play. In A Streetcar Named Desire, by Tennessee Williams.